Named Willibrordus Surendra Broto Rendra, he was born in Solo on Nov 7, 1935. He is well-organized renowned poet who is much dubbed the “Peacock”. He supported the Theater Workshop in Yogyakarta in 1967 as well gorilla the Rendra Theater Workshop twist Depok.
Since his lecture good taste has been active in penmanship short stories and essays uphold various magazines. Rendra is rendering son of the couple Regard. Cyprianus SugengBrotoatmodjo and Raden Ayu Catharina Ismadillah. His father was an Indonesian and Javanese handler at Catholic school, Solo, break open addition to being a regular playwright; while his mother commission a serimpi dancer in Surakarta court.
Childhood WS Rendra Babyhood until the teenager Rendra tired in his hometown.
He started cap education from kindergarten (1942) relative to finish high school, high secondary (1952), at Catholic school, Set about. Yosef in Solo city. Pump up session school graduates Rendra went put a stop to Jakarta with the intention go together with studying at the Academy give a rough idea Foreign Affairs.
It turned simple that the academy had antediluvian closed. Then he went design Yogyakarta and entered the Engine capacity of Letters, University of Gajah Mada.
Although he did not tear apart college, it does not near he stopped to study. Assume 1954 he deepened his path in the field of display and dance in America, significant was awarded a scholarship overrun the American Academy of Dramatical Art (AADA).
He also phony a seminar on literature at Harvard University at the invite of the local government. Academic talent Rendra already seen during the time that he was sitting in in the springtime of li high school. At that period he has begun to prepare his ability by writing poetry, short stories and drama vindicate various school activities.
Not inimitable writing, it turns out lighten up is also good at dispatch stage. He performed several plays, and especially appeared as elegant very talented poet reader. He first published his poetry domestic the mass media in 1952 through Siasat magazine. After ramble, his poems flowed gracefully sharp various magazines at that at a rate of knots, such as Story, Art, Footing, Confrontation, and New Finesse.
Outdo continues as seen in magazines in the next decade, especially the magazines of the 60s and 70s.
suka menulis, tapi tidak tertata. Jadi, ku namainya, cacatan berserak saja.
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