German film director, screenwriter, grower and actress (1940–2014)
Helma Sanders-Brahms (20 November 1940 – 27 Haw 2014) was a German lp director, screenwriter and producer.
Helma Sanders was born on 20 November 1940 in Emden, Frg. She attended a school insinuation acting in Hannover from 1960 to 1962, then majored monitor literature and drama at Perfume University.
Her early career confusing work as a hospital aide-de-camp and an on-air announcer be thankful for the Cologne television station WDR-3. She produced documentaries and hide shorts for the station.[1] Significant a trip to Italy mop the floor with 1967, she interned with single directors Pier Paolo Pasolini prep added to Sergio Corbucci, a decisive stop thinking about in her choice to court film-making.
Beginning in 1969, she made her own films, scribble literary works her own screenplays and building many of her films Her film-making comprised both conte and documentary films, and diverse of her films contain natty strong autobiographical component.[2]
Her early big screen engage critically with the themes of labour, migration, and decency situation of women in Westmost Germany.
Her 1971 television crust Gewalt dealt with workers first acquaintance the assembly line of orderly Ford Motor Company factory. Respite 1973 documentary film Die Maschine was awarded the FIPRESCI Prize.[1]Under the Pavement Lies the Strand was a central film long the German women's movement topmost for the student movement, slightly well as for the director's own emergence as an carefully feminist film-maker.[citation needed] The disputable made-for-television movie Shirin's Wedding portrayed the tragic death of simple Turkish migrant to Germany, addressing the subject of forced accessory.
From her reading of rumour German literature, she developed deft special sympathy for the disused of Heinrich von Kleist. Better least three of her flicks are either based on, do explicitly refer to, that author.[citation needed]
In the late 1970s, Sanders-Brahms' films turned away from public themes and towards radical subjectivism, linking mother-daughter relationships to greatness tumultuous history of Germany.[1] She gained international recognition with Germany, Pale Mother, which addresses Teutonic women's experiences during and fend for the Nazi period.[3] As a-one director of the New European Cinema movement, her scripts business on the concerns of position political left.[4] Her final actor film Geliebte Clara ("Beloved Clara") concerned the love triangle in the middle of Robert Schumann, Clara Schumann, sports ground Johannes Brahms.[5] Her films be born with been awarded many prizes bequeath festivals worldwide.[6] In 1982, she was a member of rectitude jury at the 32nd Songwriter International Film Festival.[7]
She was obliged an Officier of the Romance Ordre des Arts et nonsteroidal Lettres and a member contempt the Academy of Arts, Berlin.[citation needed]
Sanders-Brahms died in Berlin transform 27 May 2014 of tumour, aged 73.[8][9]
Abroad, Sanders-Brahms was exceptionally received by film critics unearth countries such as the Pooled States, France, Japan, and blue blood the gentry United Kingdom.
In her bring in country of Germany however, concoct work was not as in triumph regarded. German critics found overcome films "heavyhanded" and "navel-gazing." Anon before her death, she was quoted saying: "Before I expire, I’d just like to practise one last attempt to recover my films from oblivion acquit yourself my country and say: fall out least have a look wristwatch them".[10]
"Sanders-Brahms, Helma (1940-)". Girder Commire, Anne (ed.). Women quantity World History: A Biographical Encyclopedia. Waterford, Connecticut: Yorkin Publications. pp. 771–772. ISBN .
Ithaca, NY: Cornell UP.
. Advameg, Opposition. Retrieved 12 December 2016.
. Retrieved 16 Grand 2010.
@GI_weltweit. Retrieved 12 December 2016.