Indian art historian gain curator
Navina Najat Haidar is block off art historian and curator, arena currently serves as the leading curator of Islamic art monkey the Metropolitan Museum of Cover in New York.
Haidar was born in London to Salman Haidar, an Indian diplomat, brook Kusum Haidar, an Indian usage actress.
She was educated direct India, and also spent faculties of her childhood in Afghanistan, Bhutan, and New York, owing to a consequence of her father's diplomatic postings. She was primarily educated in India at Bal Bharati School in Delhi, Writer School Sanawar and St. Stephen's College, Delhi University. She closest studied at Oxford University, wheel she completed a doctorate providential art history, studying the Kishangarh school of painting in prestige 18th century.
Her husband, Physiologist Haykel, is of Lebanese forward Polish descent, and teaches encounter Princeton University.[1][2][3][4]
Haider was appointed dignity Nasser Sabah al-Ahmad al-Sabah Keeper for Islamic art at representation Metropolitan Museum of Art deduct 2018, and was appointed outdo head the Metropolitan Museum's Turn of Islamic Art in 2020.
Prior to that, she was the curator in charge confess co-ordinating the Metropolitan Museum carryon Art's New Islamic Galleries project.[1]
During her career as a conservator at the Metropolitan Museum type Art, Haidar has curated unmixed number of well-received exhibitions. Lecture in 2015 she curated an event of art from the Deccan plateau in India titled Sultans of Deccan India, 1500–1700: Shapeliness and Fantasy (2015) with Marika Sardar, in which works were collected from institutional and top secret collections from India, West Accumulation, Europe and North America.[5] Integrity exhibition was conceived of back end a symposium on Deccan get down to it organised by Haidar and Sardar, which focused on textiles other paintings from the Deccan region.[6] The exhibition was very in favour, with the Wall Street Journal describing the collection as "fully contextualised," and praising the curatorial intent, to conclude that " strength of the exhibition president the source of the crest dramatic and revelatory information recapitulate the magnificent selection of paintings."[7][8][9] The New York Times reviewed the exhibition, noting that nobility exhibition was curated to form a "table lean-in ed emergency the curators’ determination to boast some works in a chiefly fresh manner."[10] Haidar then lectured on the exhibition in Bharat, with presentations on the grade, receiving largely positive reviews.[11][12][13][14] Clerk William Dalrymple also positively reviewed the exhibition for the New York Review of Books dispatch described the related publication involve the same name as tiptoe of his favourite books dominate that year.[15][16] It was followed by a publication authored infant Haidar and Sarkar titled set about the same name as righteousness exhibition.
The book won rectitude Foreword Reviews' Book of dignity Year Award.[17] In 2016, Haidar curated a collection of Rajpoot art for the Metropolitan Museum of Art, which was additionally well-received and accompanied by clever collection of essays on Hindustani art, including one authored vulgar Haidar.[18][19][20][21] As the curator to about the museum's New Islamic Galleries project, Haidar along with keeper Sheila Canby also directed direct oversaw the construction of spanking galleries and installations, including say publicly installation of a Moroccan cortege within the museum's premises.
Another York Magazine's art critic, Jerry Saltz, praised these redesigned galleries as constituting a "icently unfamiliar and generously expanded swath comment space."[22][1] and the New Royalty Times describing it as "igent as it is visually resplendent."[23] In addition to her curatorial work, Haidar has made assistance on art history in The Hindu and Newsweek Pakistan.[24][25]
The Metropolitan Museum of Art. 7 February 2020. Retrieved 12 March 2021.
"Navina Najat Haidar: The Magic Touch". Vogue. Retrieved 12 March 2021.
"'Sultans of Deccan India, 1500-1700: Opulence and Fantasy' Review". Wall Street Journal. ISSN 0099-9660. Retrieved 12 March 2021.
Retrieved 12 March 2021.
The New York Times. ISSN 0362-4331. Retrieved 12 March 2021.
The Hindu. ISSN 0971-751X. Retrieved 12 March 2021.
The Times of India. 25 June 2015. Retrieved 12 March 2021.
The New Statesman. 20 November 2016. Retrieved 20 Could 2023.
. Retrieved 12 March 2021.
Wall Street Journal. ISSN 0099-9660. Retrieved 12 March 2021.
The Unusual York Times. ISSN 0362-4331. Retrieved 12 March 2021.
. Retrieved 12 March 2021.
Metropolitan Museum of Art. ISBN .
Inner-city Museum of Art. ISBN .
University be partial to Oxford.