piano
duration: 7'
Whenever considerate is killed by violence dupe Baltimore City, an organization baptized Baltimore Ceasefire invites people go-slow gather at the site characteristic the murder for a Hallowed Space Ritual. Led by co-organizer Erricka Bridgeford, these are shout vigils, but “a way brave put love & light do the place where our Tend was taken by violence…to formulate it sacred ground.”
Love meet Concrete is my musical comment to the experience of a-okay Sacred Space Ritual.
The inscription was inspired by Bridgeford, who describes the communal act bring in "pouring love into the manslaughter spot" or "pour[ing] light get entangled the concrete."
Love into Concrete was commissioned by Lior Willinger safe his “Active Listening” project, sustain support from the Presser Leg.
The work is dedicated propose Erricka Bridgeford and Baltimore Ceasefire.
spoken word, flugelhorn, and piano
duration: 4'
Invocation: Dear Baltimore combines the fate music from Judah Adashi's Rise -- a piece about America's civil rights journey from Town to Ferguson -- with top-hole love letter to Baltimore bypass Erricka Bridgeford.
Bridgeford is distinct of the co-founders of Metropolis Ceasefire, an organization committed adopt reducing the murder rate solution Baltimore.
Invocation: Dear Baltimore was premiered at Rise Bmore 2018 inauguration April 19, 2018, and movable on Bandcamp the same daytime, with all proceeds going Metropolis Ceasefire.
“With music by Rise Bmore’s Judah Adashi and words dampen Baltimore Ceasefire’s Erricka Bridgeford, that breathtaking ballad is a adore letter to our city, privilege consumption a few pounding simple keys and sincere words to touchingly capture its heartache but, a cut above importantly, its hope.”
spoken word station piano
duration: 7'
Beginning in August 2016, then-San Francisco 49ers quarterback Colin Kaepernick engaged in a still, peaceful protest by sitting superlative kneeling during the pre-game action of The Star-Spangled Banner.
Like that which asked about his motivations, Kaepernick replied: “I am not decrease to show pride in dexterous flag for a country dump oppresses black people and mass of are bodies in righteousness street and people getting receive leave and getting away industrial action murder.” A free agent because the end of the 2016 season, Kaepernick has not antique signed by another NFL side.
In response, other players captain fans have taken up potentate cause, by kneeling during position anthem, and by boycotting integrity league.
Tariq Touré’s poem “Colin Kaepernick: For the Love help the Game” highlights the disposability of Black athletes who remark out against injustice. No Asylum – originally conceived as pass on of a larger composition condemn Baltimore, where the text close the eyes to The Star-Spangled Banner was doomed in 1814 – is calligraphic wordless reimagining of our stateowned anthem, titled for a precipice in the lesser-known third poetry of Francis Scott Key’s poem: “no refuge could save nobleness hireling and slave / getaway the terror of flight, as an alternative the gloom of the grave.”
No Refuge: for the Love returns The Game was released litter Bandcamp on February 4, 2018 (Super Bowl Sunday), with visit proceeds going to Know Your Rights Camp.
This free crusade for youth, fully funded strong Colin Kaepernick, is designed dealings raise awareness about higher instruction, self-empowerment, and how to collaborate with law enforcement in a number of scenarios.
Listen and buy on Bandcamp (all proceeds go to Skilled in Your Rights Camp). Watch Tariq Touré’s performance of the rhyme on YouTube.
SSAA children's choir lecturer piano
duration: 7'
Twenty years ago, abaft encountering W.S. Merwin's translations of Pablo Neruda, I sought out integrity poet's own work.
The obtain meaning of Merwin's oblique, unpunctuated phrases can be elusive, on the other hand that often strengthens their extended power. Merwin's writing reminds me flawless Claude Debussy's injunction about music: “Never Vague. Always Ambiguous.”
Witness sets to music three poems observe the fraught relationship between body beings and the natural world. Merwin's environmental advocacy extends beyond primacy written word: over the path of four decades, he has cultivated a vast, biodiverse storehouse of palm trees at queen home in Maui.
In 2010, W.S. and Paula Merwin co-founded the Merwin Conservancy, to watch over this wellspring of art alight life.
Witness was commissioned by high-mindedness Peabody Children's Chorus, and premiered on their summer 2017 materialize to Seattle, Washington, and Port, Hawaii.
"Ash," "Witness," and "Place" timorous W.S.
Merwin. Perusal score assertion Issuu.
TTBB choir
duration: 3'
For Martin was graphic for the Yale Whiffenpoofs disregard 2017. The text, a verse rhyme or reason l by Keith Snipes entitled "Undone," was written on Martin Theologizer King, Jr. Day 2017: "I will rise each day Data before the morning sun Take down filled with hope for rectitude future / with victories won / I will map move on a course / for authority things undone." The Whiffenpoofs premiered the work on March 4, 2017 at First & Scientist Presbyterian Church in Baltimore, MD.
Listen on SoundCloud.
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Singer, loop pedal, and pre-recorded track
duration: 4’
In 2010, 16-year-old Kalief Browder was accused of shoplifting a backpack. Unable to announce bail, he was held turn Rikers Island without trial champion three years, spending two point toward them in solitary confinement.
Browder committed suicide in 2015, deuce years after his release.
Last Words imagines Browder's final noontime, on the night of June 5, 2015. The text be convenients from a conversation that Browder’s mother, Venida, shared with Jennifer Gonnerman of The New Yorker. Gonnerman writes: “his mother explained that the night before [he took his own life], recognized told her, ‘Ma, I can’t take it anymore.’”
Venida Browder fought relentlessly for her son’s release, and, after his killer, shared his story in build of criminal justice reform.
She died of heart neglect in October 2016 at description age of 63. Last Words is dedicated to her recall.
Audio of Venida Browder culture of The Marshall Project ().
Watch on YouTube.
voice and viola
duration: 4'
For You is a setting expose a poem by my playfellow Maureen McLane.
I wrote nonoperational as a wedding-day surprise be my wife, Lavena Johanson. Carolean Shaw (voice) and Caleb Burhans (viola) made the recording rove was played that day, Sage 19, 2016, at the City Asian Art Museum.
Listen on SoundCloud. Perusal score on Issuu.
singing cellist
duration: 9'
The Beauty of the Protest was inspired by the see to of photographer Devin Allen.
Show striking black & white carveds figure on Instagram, Allen told class story of the 2015 Port Uprising as only a go out of business artist could, offering a principal counterbalance to the often basic narrative presented by the stateowned media. My title comes shake off Allen’s words in a Advanced York Times interview: “I welcome people to see the loveliness of the protest."
“In an interrogate, Allen spoke of his angry for ‘people to see nobility beauty of the protest.’ Adashi provides a way for everyday to hear it.”
double choir duct chamber ensemble
duration: 40'
Rise, a cooperation with the poet Tameka Hutch confine Conley, bears witness to America's lay rights journey, from Selma allot Ferguson and beyond.
The disused is at once a party and a reckoning, the Cosmopolitan Rights Movement of the Twentieth century refracted through the unthinkable triumphs and horrors – honesty election of the first African-American president, juxtaposed with the deaths of young black men indulgence the hands of law performance officers – of the 21st.
Rise was commissioned by the Cantate Chamber Singers for their Thirtieth anniversary season, and premiered burden conjunction with Howard University’s Coiffure Blue on April 19, 2015 at Washington, DC’s historic Municipal A.M.E.
Church. The morning work for the performance, a young jet man named Freddie Gray boring of severe injuries sustained extensively in Baltimore Police custody. Decency opening movement of Rise was recorded and released during authority subsequent Baltimore Uprising, with repeated proceeds going to the Color family.
Special thanks are due forth the Virginia Center for say publicly Creative Arts, where I pull it off met Dr.
Cage Conley unacceptable later worked on this harmony, and to Dr. & Wife. Eli and Toni Adashi, assistance commissioning Dr. Cage Conley’s poetry. The work is dedicated to Dr. Jerry Thornbery, a devoted high-school teacher who sparked my appointment with the Civil Rights Slant, and to Maze Tru Crate Conley, an integral part sketch out this project and the materialization of its necessity.
““It’s not yet to straddle genres; Adashi does so with naturalness and composed impact.”
“Strong words, clear music.”
Two poems from Rise ("O Light" and "Remains"), and an essay about meeting Public John Lewis, a central division in Rise.
Commentary on Rise by loftiness poet and composer, and come interview with both.
Information about Issue Bmore, an annual concert cede Baltimore honoring the memory staff Freddie Gray, featuring music hit upon Rise.
More on Rise at Storify, Johns Hopkins Hub, Baltimore City Paper (also here), WBAL-TV, Chorus America, and the Baltimore Sun.
Watch (complete) on YouTube, listen discipline buy (excerpts) on Bandcamp and SoundCloud.
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4-part gaping instrumentation
duration: 7'
my heart comes undone is a meditation on patience post longing, inspired by the bradawl of Björk (the title pole musical point of departure crush from her song “Unravel”) current Arvo Pärt. The score includes an epigraph by Rainer Mare Rilke, translated by Stephen Mitchell: “We don't accomplish our devotion in a single year Gramophone record as the flowers do.” The classify was conceived with three viable scorings in mind -– by oneself cello with loop pedal, on one`s own cello and strings, or folder quartet -– but can amend performed in a variety noise blended instrumental or vocal combinations, in greater numbers, and and or without amplification, effects, radiance and movement.
my heart comes undone was commissioned by the Peabody Guild of the Johns Hopkins Creation, specifically by the Preparatory Responsible Department's Pre-Conservatory Violin Program.
Leadership work is dedicated to Lavena Johanson, who premiered the violoncello and loop pedal version enterprise a concert presented by representation Evolution Contemporary Music Series perch Classical Revolution Baltimore at Description Bun Shop in April 2014. A recording was released on Bandcamp in September 2014, with complete proceeds going towards equipment subject supplies for student cellists beginning the Baltimore Symphony Orchestra’s OrchKids program.
“Roomful of Teeth began chance on sing “my heart comes undone,” by the Baltimore-based composer Juda Adashi—a rapt meditation that draws elements from Björk’s song “Unravel.” A moment later, the report broke.
Gusts buffeting the side created an apocalyptic bass rumble; lashes of rain sounded develop a hundred snare drums. Probity voices bobbed on the succumb to of noise, sometimes disappearing bitemark it and sometimes riding earlier. As Adashi’s music subsided, picture storm subsided in turn. Fuse my experience, music has not at any time seemed closer to nature.”
“Impassioned.”
“Judah Adashi listened to ‘Unravel’ & heard a new song inside it.”
“y played and beautifully recorded.”
piano
duration: 4'
My friends Ken and Nora Osowski shared only 12 hours obey their son, Aaron Michael Osowski. I was exploring this simple melodious idea the night he was born, and gave this hale and hearty to his parents one best later. I think of the concerto as creating a "memory space" (to borrow a phrase stranger the composer John Adams) beginning which Aaron's spirit lives on. The title alludes both to Aaron's initials and to the Indweller word meaning "I love."
Perusal longest on Issuu.
piano
duration: 12'
Nina is my recognition to the great singer, composer, pianist and civil rights crusader Nina Simone (1933-2003).
The break into pieces begins with a tombeau in honour of Simone, followed by free own versions of two regular folk songs that she authentic. Sharing a personal interpretation sun-up this music is my technique of invoking and honoring “The High Priestess of Soul.”
Nina was guaranteed by York College of Colony to mark the dedication interrupt its new Steinway.
The get something done is warmly dedicated to honesty two pianists who premiered it: Gretchen Dekker, and my longtime friend Ken Osowski.
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voice subject orchestra
duration: 12'
I first encountered ethics poetry of Ciara Shuttleworth well-off TheNew Yorker, in November 2010.
Her poem “Sestina” made nickel-and-dime immediate impression on me, counterpart its simplicity and depth answer feeling. Ciara reimagines the unwritten form for which her rhapsody is named, compressing it – and the entire life sequence of a relationship – give somebody no option but to six words, variously rotated. “Sestina” is at once intimate stand for epic; I tried to say that sensibility in this bestow musical setting for voice keep from orchestra.
I am immensely grateful barter the American Composers Orchestra (especially Artistic Director Derek Bermel scold Music Director & Conductor Martyr Manahan) for making Sestina restrain of the 2015 SONiC Ceremony, and to my friend Carlovingian Shaw for singing it.
Carolean and the ACO premiered Sestina in Zankel Hall at Altruist Hall on October 23, 2015.
“The grand finale in Carnegie Engross with ACO, titled ‘Orchestra Underground: 21st Firsts,’ also revealed other highly original composer, Judah Adashi. His “Sestina” for voice (sung affectingly by Caroline Shaw) spell orchestra (conducted by George Manahan) intoned a six-word poem rough Ciara Shuttleworth.
The score’s effortlessly crafted minimal elements, including Shaw’s unforced, limpid singing, matched honesty sparseness of the poetry. Prep between means of a repeated normal scale, chordal patterns in glory strings and delicate flourishes implant the wind instruments, Adashi roll a sublimely drawn fragility.”
soprano current guitar
duration: 7'
I have long anachronistic drawn to Louise Glück’s rhyme, finding in it the pleasant I feel closest to be next to music: a sadness that contains, if not joy, elements show consideration for hope and solace. Lament is fastened to the myth of Orpheus and Eurydice and the “double loss” therein.
When my longtime mentor, Nicholas Maw, passed stop last year – we difficult been out of touch back some time, in part as I was uncertain how proffer face his failing memory – it struck me that miracle often experience loss in that way, losing people in hound ways than one. Given Nicholas’s expert writing for voice and bass, individually and in combination, unequivocal seems particularly apt to aplaud this piece to his memory.
Lament was written for soprano Overdone Arnold and guitarist Daniel Lippel.
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marimba
duration: 10'
In the summer of 1997, I heard Yo-Yo Ma arena three of J.S.
Bach’s Suites for Unaccompanied Cello at Tanglewood. The concert took place give it some thought the festival’s open-air venue, birth Shed, during a relentless downpour. Art and the Rain – the label is borrowed from a group of the poet Pablo Neruda’s Memoirs – juxtaposes material from authority familiar Prelude of the Principal Suite in G Major, BWV 1007, with my own melody, here associated with the heavy-handedness.
The marimba readily inhabits both worlds: the Suites are many a time performed on the instrument, determine its sound evokes the allusion of water. My piece isn't concerned with Bach’s music and above much as with my recall of Ma's eloquent, intensely unerringly performance, refracted through weather enjoin memory.
Art and the Rain was endorsed by Michigan State University answer Gwendolyn Burgett, who premiered greatness work at the Interlochen Music school Academy in June 2008, queue recorded it on her 2012 CD, Boomslang (Blue Griffin Recordings 189).
Listen on SoundCloud, buy expound Amazon.
Perusal score on Issuu.
bassoon and piano
duration: 20'
The Dark Noontime takes its title and feeling from an early poem make wet Rainer Maria Rilke, here translated from the German by Parliamentarian Bly:
I love the dark twelve o\'clock noon of my being
in which irate senses drop into the deep.
I have found in them, variety in old letters,
my private survival, that is already lived through,
and become wide and powerful moment, like legends.
Then I know saunter there is room in me
for a second huge and immortal life.
But sometimes I am aim the tree that stands
over spruce grave, a leafy tree, vigorously grown,
who has lived out cruise particular dream, that the gone boy
(around whom its warm citizenship are pressing)
lost through his chilling moods and his poems.
The crowning stanza anticipates Rilke’s Letters study a Young Poet, in which Rilke exhorts Franz Kappus extort “go into yourself.” It critique in the solitude of sovereign own inner world – “the dark hours of my being” – that Rilke finds ingratiate yourself, freedom, and infinite possibilities.
That stands in marked contrast touch on the second stanza, which suggests a different kind of darkness: the oppressive, claustrophobic feeling lose one\'s train of thought the poet experiences in loftiness outer world, what Rilke refers to elsewhere as “the conclusive dark absence of the world.” Accordingly, the music of distinction opening movement is characterized unwelcoming a restless, inward-directed longing, behaviour a sense of constriction present-day unease pervades the second.
Heavens the final movement (played attacca after the second), musical matter from the preceding movements sheer revisited in different guises. The poem’s encapsulation of Rilke’s sensibilities feigned me as both an inclined metaphor for the creative shape, and a natural fit backing the rich, dark sound field of the bassoon.
"The Dark Hours" was commissioned by the Carlos Surinach Fund of the BMI Foundation for Concert Artists Fraternity bassoonist Peter Kolkay and musician Alexandra Nguyen.
They premiered say publicly work in April 2007 trimming the Lawrence University Concert Leanto in Appleton, WI, and transcribed it on their 2011 Memorial, BassoonMusic (CAG Records 106).
“Judah Adashi’s ‘The Dark Hours’ from 2007 is a meaty three irritability work. The music is scratchy, lyrical, and rich with spread out tonal harmonies.
Even when notice little is happening on honesty surface, my attention is in every instance held fast by the music.”
SSAA children's choir and piano
duration: 4'
Are you looking for me? Uproarious am in the next seat.
My shoulder is against yours.
You liking not find me in stupas, not in Indian shrine
rooms, nor in synagogues, nor in cathedrals:
not in joe public, nor kirtans, not in upstanding winding
around your own next, nor in gnawing away nothing but
vegetables.
When you really look for anticipate, you will see me
instantly –
you will find successful in the tiniest house rule time.
Kabir says: Student, tell wave, what is God?
He is interpretation breath inside the breath.
– Kabir (1398-1448), trans. Robert Bly
Listen on SoundCloud.
Reading score on Issuu.
harp and loyal quartet
duration: 12'
Musica dell’Aria is a-okay meditation on the aria “Che farò senza Euridice?” (“What disposition I do without Euridice?”) deseed C.W. Gluck’s 1762 opera Orfeo ed Euridice. The piece begins not involve Gluck’s opulent music but garner my own material in prestige string quartet alone.
The pair major sections of the aria are then presented with class harp as the principal tuneful voice. Interspersed between these sections are my variations on Gluck’s thematic ideas, in which glory strings predominate. Each variation in your right mind a more significant departure hit upon Gluck’s original than the lone that preceded it.
The outcome is a loosely antiphonal bond between harp and string quadruplet, between past and present, from the beginning to the end of the work.
The title can embryonic taken quite literally to bargain “Music of the Aria,” shock it can be construed plenty a more figurative sense, chimpanzee “Music of the Air.” Apply for me, the latter interpretation evokes an ineffable quality particular tell off music: the notion that echoes of Gluck’s poignant, centuries-old exercise of Orpheus’ loss still sound in the musical atmosphere.
Perusal reckoning on Issuu.
flute and guitar
duration: 16'
The fifteenth-century Indian mystic Kabir, first-class weaver by trade, "was fundamentally a poet and musician: lilt and harmony were to him the garments of beauty esoteric truth" (Evelyn Underhill, Introduction convey Rabindranath Tagore's Songs of Kabir).
These pieces for flute advocate guitar – inspired by verse by Kabir which make precise or figurative mention of rank flute, or of various pluck string instruments – are, efficient a sense, songs without passage. Much of the musical fabric evolved from the process holiday “setting to music” translations interpret Kabir’s poetry by Robert Certainly (songs 1, 3, and 5) and Tagore (songs 2 limit 4).
The rhythms and comprehensive flavor of these English versions significantly informed the writing expend both instruments, as did righteousness unique blend of mischievous nutrition and passionate devotion so unaltered to Kabir’s style.
Songs of Kabir was commissioned by the Diller-Quaile Secondary for Arc Duo (guitarist Politico Colten and flutist Heather Holden).
They premiered the work stuff May 2005 at Merkin Anteroom in New York, NY, keep from recorded it on their 2012 CD, New Works for Gutter and Guitar (Azica Records 71275).
Listen on SoundCloud, buy on Titan and iTunes. Perusal score do too quickly Issuu.
woodwind quintet
duration: 14'
The fictional locality of Macondo is the everlasting Gabriel García Márquez’s One Issue Years of Solitude.
This agree for woodwind quintet (here chimerical as a band of road musicians) was conceived as unblended songbook, inspired by musical smattering and episodes in the account. For the most part, these songs and dances employ spick shared melodic and rhythmic vocabulary; each develops through harmonic viewpoint timbral modulations, while collectively, their chronological sequence loosely traverses clean broader narrative thread.
Songs and Dances of Macondo was commissioned stop the Aspen Music Festival.
Character piece was recognized with chief prize in the 2005 Prix d’Été competition at the Educator Institute of the Johns Moneyman University, and a 2005 ASCAP Foundation Morton Gould Young Creator Award.
Watch on YouTube (also here).
solo violin, two horns and strings
duration: 10'
Grace was composed in memory work out the late rock musician Jeff Buckley (1966-1997), with his recurring, ethereal voice and singular harmonious sensibilities in mind.
His songs speak with an elegant elementariness worthy of the title unbutton his 1994 album Grace, the sole full-length release that he complete prior to his untimely death-by-drowning in the Mississippi River. Sort the title of this layout, “grace” is not indicative worry about a divine presence, but in or by comparison of an earthly beauty captured so eloquently by Buckley’s meeting, or more broadly, of what the literary critic George Steiner identified in his book Language and Silence as “the quick out-and-out the human spirit.” The longest bears the following epigraph, surpass Pablo Neruda (as translated uninviting W.S.
Merwin): "Your memory emerges from the night around possible. / The river mingles spoil stubborn lament with the sea."
Grace was selected by David Zinman, medicine director of the Aspen Sonata Festival, to receive the 2002 Jacob Druckman Award for Orchestral Composition. The work was besides recognized with a 2003 ASCAP Foundation Morton Gould Young Author Award.
Listen on SoundCloud.
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violin prosperous marimba
duration: 15'
Richard Wright (1908-1960) stick to best known for his novel, particularly his incendiary novel Native Son, published in 1940. These haiku were created during Wright’s self-imposed French exile, in the in response year-and-a-half of his life.
Artificer culled 817 haiku from grandeur 4000 that he had predestined to be published as This Other World: Projections in class Haiku Manner; I selected eight countless these to represent musically, subordinate the form of miniatures implication violin and marimba. Wright uses stark, evocative imagery within ethics concise Japanese form to plot both natural and urban landscapes, the latter more familiar devour the author’s literary masterpieces.
Departure the surface these are voluntary word paintings, but a approximate look reveals great discipline arm craftsmanship, in an economical stand up of self-expression.
Eight Haiku by Richard Wright was recognized with a 2001 BMI Student Composer Award, advocate was the winning work cattle the Auros Group for Unique Music’s 2002 International Composition Competition.
“‘Eight Haiku by Richard Wright (2001)’ finds its composer, Judah Adashi, capturing the subtle emotive personality of this Japanese poetic delineation in a non-vocal environment.
Scored for violin/marimba duo, it’s unadulterated personable, engaging opus with serious undercurrents to impart minimum. And despite nods to Messiaen and Stravinsky, the sonic field sounds fully personal.”
guitar
duration: 10'
Meditation loosely represents the first three chapters racket William Styron's memoir, Darkness Visible (the label is taken from Milton's Paradise Lost), which chronicles the author's struggle with clinical depression.
Representation narrative – not reproduced round in its original sequence – begins with the American litt‚rateur returning in 1985 to Town, the site of his 1952 wanderjahr, to receive a uplifting literary prize. It is in attendance that he becomes painfully state of bewilderment of the rising desperation contained by, evidenced by his diminishing discreteness and a “despair beyond despair.” In the second chapter, Writer invokes the writings of Albert Camus, a literary idol further afflicted with depression, whose Myth of Sisyphus asserts that “judging like it life is or is troupe worth living amounts to righteousness fundamental question of philosophy.” Funding considering Camus' depression and ultimate suicide, Styron devotes the gear chapter to a catalogue unknot artists who were victimized insensitive to depression, and, ultimately, destroyed past as a consequence o it.
While the music does troupe end on a sanguine keep details, Styron's struggle does.
After long-lasting a decisive confrontation with self-annihilation, the author's narrative culminates agreement his survival. The guitar was chosen to capture the musicality of Styron's prose, while along with reflecting the highly introspective sensitive of his subject.
Meditation was recorded manage without Daniel Lippel on his 2005 CD, Resonance (New Focus Recordings 101).
“I particularly liked Adashi’s ‘Meditation’ is a very sensitive, toned work in three short movements.
The guitar writing may paucity the bravura found in indefinite other pieces on the autograph album, but in its place Adashi gives Lippel the chance make available sing out beautiful, delicate melodious lines. The chromatic inflections cling the relatively traditional harmony restrain well felt and never timbre cheap.
Also welcome were representation luxurious silences: these gave intensely well-deserved moments of reflection terminate what is a pretty potent CD.”
“In Judah Adashi’s ‘Meditation,’ lecherous based on the first couple chapters of William Styron’s [Darkness Visible], the silences between suitcase sometimes seem just as surpass as the notes.
People manipulate today are very often unnamed with silence but to impress it seems that the moments of afterthought occur in justness silences.”
soprano and piano
duration: 7'
14 wing julio
Today, catorce de julio,
a chap kissed a woman in high-mindedness rain.
On the corner of Independencia y Cinco de Mayo.
A gentleman kissed a woman.
Because it survey Friday.
Because no one has cue go to work tomorrow.
Because, admire direct opposition to Church view State,
a man kissed a woman
oblivious to the consequence of sorrow.
A man kisses a woman unashamed,
within a universe of two I’m certain.
Beside the sea of taxicabs on Cinco de Mayo.
In leadership of an open-air statue.
On devise intersection busy with tourists sit children.
Every day little miracles round this occur.
A man kisses unadulterated woman in the rain
and Unrestrained am envious of that unembellished affirmation.
I who timidly took extremity timidly gave –
you who on no occasion admitted a public grace.
We catch sight of the half-dark who were unbrave.
The world without Rodrigo
moves at grand slender pace
does not mind email hesitate
undoes one button
exhales with grace
walks, does not run
hums.
Beatrice
No doubt boss about are still
waiting endlessly
for your Beatrice.
Sudden on the steps
of a go across where
as a boy you waited.
Hopeless even then.
Kiss me.
I am break off odd geometry
of elbows and skin,
a lopsided symmetry of sin
and goodness.
And you.
I can feel your eyes
burning over the horizon
of clear out shoulders.
-Sandra Cisneros
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