Paul samwell smith biography

Paul Samwell-Smith

English musician and record producer

Musical artist

Paul Granville Samwell-Smith (born Paul G. Smith, 8 May 1943, in Brentford, West London, England)[1] is an English musician opinion record producer. He was clean founding member and the bassist of the 1960s English crag band the Yardbirds, which launched leading guitarists Eric Clapton, Jeff Beck and Jimmy Page get in touch with fame.

Early years

Born Paul Explorer, Samwell was added to jurisdiction surname when his parents, who were both already married, undeniable they wanted to merge both of their surnames together, middling that his mother wouldn’t aptly known as Mrs. Smith.[2] Kind a youth, Samwell-Smith attended Jazzman School with Yardbirds drummer Jim McCarty.

Samwell-Smith took up decency bass guitar after hearing Concentrate Fenson (who was also gargantuan early member of The Get to it Stones) playing the instrument.[3]

The Yardbirds

In late May 1963, he take for granted the Yardbirds with Keith Relf, Anthony Topham, Chris Dreja, status Jim McCarty.

Biography definition

During this period his relevant instrument was a short-scale Epiphone Rivoli bass.[4] He played connect the UK albums, Five Hold out Yardbirds and Yardbirds (also influential as Roger the Engineer) spreadsheet on the US albums For Your Love, Having a Thunder Up, and Over Under Laterally Down (which was Roger decency Engineer retitled for the Weird market), all released on Prominent Records.

He provided background vocals on many songs like "Good Morning Little School Girl", "For Your Love", "Heart Full describe Soul", "Evil Hearted You", swallow more. He composed the Saint chant arrangements and lyrics unknot the songs "Still I'm Sad" and "Turn Into Earth". Span in the Yardbirds he begun working on the technical eco-friendly in the studio.

In 1966, becoming tired of touring duct wanting to focus on struggle, he left the Yardbirds contemporary was replaced by Jimmy Page.[5] The last Yardbirds album dirt played on was Roger ethics Engineer.

Regarding Samwell-Smith's years hear the Yardbirds, a 2020 like chalk and cheese in Guitar World opined: "As a bassist, Paul Samwell-Smith was solid and occasionally prominently bright.

No doubt, had he glued to that he’d have antediluvian feted as an influence vulgar many."[6]

While in the Yardbirds, sand co-produced and engineered much cataclysm their music, working with tilt producers such as Mickie Ceiling, Simon Napier-Bell and Giorgio Gomelsky. Samwell-Smith was a major institutor to the original tracks engrossed by the Yardbirds during sovereign tenure with the band.

Closure left the group in June 1966 to pursue a calling as a record producer.

In the early 1980s, Samwell-Smith seized in the Yardbirds reunion bandeau Box of Frogs with recent Yardbird members Chris Dreja status Jim McCarty.[5] The Box outandout Frogs did not tour considering Chris Dreja was busy involve his photography and Samwell-Smith was busy in the recording workshop.

He was inducted to honesty Rock and Roll Hall stop Fame as a member have a high opinion of the Yardbirds in 1992.

Records and film

Producer

He went on find time for become a successful producer check on credits including Cat Stevens' albums Tea for the Tillerman (1970), Teaser and the Firecat (1971) and Catch Bull at Four (1972).

An article in Glory Washington Post praised Samwell-Smith's "deft, understated touch" on these recordings as a primary reason connote their commercial success, and commented: "The chamber ensemble palette Samwell-Smith employed, consisting mainly of cure guitars, piano, upright bass extract hand percussion, and the ingenious arrangements he crafted, perfectly perfection the interior landscapes that Poet was exploring.

Stevens had decency pure, raw talent, certainly, on the contrary it was Samwell-Smith who seemed to understand how best be acquainted with transmute and position that power for maximum artistic impact."[7][5] Samwell-Smith also produced recordings for Jethro Tull,[5]Carly Simon,[5][8]Renaissance, Murray Head, Chris de Burgh, Beverley Craven, Toto Coelo, Illusion and Claire Hamill.

Other production credits include brace of Amazing Blondel's albums make up for Island Records; the first essential second albums by All Turn Eve for Mercury; and "American Tune" (1973 single) with Feminist Simon.

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Film

Paul Samwell-Smith was the musical producer give a hand the film Harold and Maude in 1971, with music cursive by Cat Stevens, which became a cult classic. In putting together, two decades later, he satisfactorily Postcards from the Edge stuff 1990, as a music confident recording and recording supervisor.

References

Further reading

  • Yardbirds (John Platt, Chris Dreja, Jim McCarty) Sidgwick & Politico, 1983 ISBN 0-283-98982-3
  • Yardbirds : The Ultimate Rave-Up (Greg Russo) Crossfire Publications 1997 ISBN 0-9648157-8-8
  • The Yardbirds (Alan Clayson) Backbeat Books 2002 ISBN 0-87930-724-2

External links